Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects
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Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects

YAMAHA
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Yamaha MGP32X 32‑channel analog mixer with digital DSP effects, USB recording/playback, and Yamaha D‑PRE preamps. Ideal for live sound, studios, and installations.

Key Features

  • 24 D-Pre Mic Preamps with Phantom Power
  • 32 Line Inputs, 6 AUX Sends & 2 FX Sends
  • iPhone/iPod Control & Connectivity
  • Record to USB Storage as WAV or MP3
  • X-pressive 3-Band EQ Per Channel
  • 1-Knob Compression
  • Auto-Ducker, Auto-Leveler
  • 3 Types of Reverb, 16 Digital Effects

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Yamaha MGP32X Overview

The YAMAHA MGP32X 32-Channel Analog Mixing Console with DSP Effects is a 32-track analog mixer with digital control and features 24 D-Pre microphone preamps, 32 line inputs, 6 auxiliary sends, and 2 effects sends. It is designed for use in live sound environments, including clubs and houses of worship.

The Yamaha MGP32X is a premium 32‑channel professional mixing console that combines classic analog warmth with advanced digital control and effects. Built for live sound, recording studios, houses of worship, and installed audio systems, this mixer delivers clear, rich audio with intuitive operation and robust performance.

Yamaha MGP32X Key Features

  • 32 High‑Quality Input Channels The Yamaha MGP32X features 32 line inputs (24 mono and 4 stereo) with 24 microphone inputs, each offering 48V phantom power and a high‑pass filter per channel — ensuring clean, detailed sound for vocals and instruments.
  • Superior Sound with D‑PRE Preamps Equipped with Yamaha’s renowned D‑PRE discrete Class‑A mic preamps, this console provides wide dynamic range, low noise, and natural tonal character from every source.
  • X‑pressive EQ & 1‑Knob Compression Each input channel includes Yamaha’s X‑pressive 3‑band equalizer for precise tonal shaping and intelligent 1‑knob compressors to smooth dynamics easily without complex setup.
  • DSP Effects & Hybrid Control The Yamaha MGP32X integrates dual digital processors — REV‑X reverb and SPX multi‑effects — plus intuitive hybrid channel DSP features like Priority Ducker, Leveler, and Stereo Image, perfect for live mixing and installed sound systems.
  • Flexible USB & iOS Connectivity With built‑in USB and iPod/iPhone connections, you can play back audio, record live performances (WAV/MP3), and control parameters via Yamaha’s MGP Editor App.
  • Professional Routing & Outputs The console includes 6 AUX Sends, 2 FX Sends, 4 GROUP Buses, ST Bus, Matrix Output, and Mono Output, giving you complete control over routing for complex live or studio setups.

Internal Power Supply

You can plug in with confidence in any region with 100V- 240V power thanks to Yamaha’s internal universal power supply. With its multi-voltage design, the MGP ensures worry-free operation in potentially damaging environments with fluctuating power levels. An Internal power supply also simplifies rack mounting of the console at installed applications, with no use for a bulky adapter or additional connections

Hybrid Channel

Beneath the analog-style knobs and encoders of MGP Series mixing consoles lies a digital control system – a fusion that combines traditional analog feel with the functionality that only digital technology can offer. The MGP Series utilizes a proprietary DSP to provide three essential features that are staples of both installed and live sound applications. In keeping with the theme of analog simplicity found throughout the MGP Series design, each of these functions is readily accessible and available at the touch of a button. The MGP32X features a mid-sweep, three-band EQ for sound control and on-board A/D and D/A converters

Graphic EQ & Multi-Band Compressor

  • Graphic EQ The Graphic EQ features 14-band and flex 9-band modes that can easily be controlled via internal display. By limiting the number of bands for boost and cut, the extra DSP can be employed to narrow the filters to 1/3 octave, and allow the user to sweep the filter to the range where adjustment is required. With 31 different filter positions, very fine adjustments can be made. Additionally, finding and reducing feedback is quick and easy using the offset/gain controls to point out vulnerable frequencies before the feedback occurs.
  • Multi-Band Compressor Both a standard type (COMP) and a 3-band divided (Multi-band) master compressor have been built-in. Using a master compressor allows you to reduce the overall dynamic range of the signal to fit the environment, and protect the sound system from overloads. A total of 8 memory scenes (3 read only and 5 user defined) allow settings to easily be stored and recalled as needed quickly

USB Device Recording and Playback

You can archive every performance with the record function that allows direct recording to a conventional USB storage device. Choose from Stereo Out or Matrix Out 1 and 2 as the source, and select WAV or MP3 as file formats. Playback of audio files is also supported with the USB device. You can easily route this to a hybrid channel or to monitor out

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Yamaha MGP32X Specification

Weight 58.6 lbs
Dimensions 45 × 27.2 × 10 in
Brands

Input / Output
Inputs
24x Mic level XLRs
24x Line level 1/4″ (6.35 mm) TRS
4x Stereo line level 1/4″ (6.35 mm) TRS
16x 1/4″ (6.35 mm) TRS Inserts
1x 1/4″ (6.35 mm) stereo Return
Input Sensitivity
For Mono Inputs, Actual Source Impedance 3 kΩ:
Mic Level @ -60 dB: -80 dBu (0.078 mV), for 50-600 Ω Mics
Mic Level @ -16 dB: -36 dBu (12.3 mV), for 50-600 Ω Mics
Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines

Stereo Channel Input, Actual Source Impedance 10 kΩ:
Line Level @ -34 dB: -54 dBu (1.55 mV), for 600 Ω Lines
Line Level @ 10 dB: -10 dBu (245 mV), for 600 Ω Lines

Mono Channel Inserts, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV), for 600 Ω Lines

Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: -20 dBu (77.5 mV)

Talkback Input, Actual Source Impedance 10 kΩ: -66 dBu (0.389 mV), for 50-600 Ω Mics
Nominal Input Level
For Mono Inputs, Actual Source Impedance 3 kΩ:
Mic Level @ -60 dB: -60 dBu (0.775 mV), for 50-600 Ω Mics
Mic Level @ -16 dB: 16 dBu (123 mV), for 50-600 Ω Mics
Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
Line Level @ 10 dB: +10 dBu (2.45 V), for 600 Ω Lines

Stereo Channel Input, Actual Source Impedance 10 kΩ:
Line Level @ -34 dB: -34 dBu (15.5 mV), for 600 Ω Lines
Line Level @ 10 dB: 10 dBu (2.45 V), for 600 Ω Lines

Mono Channel Inserts, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines

Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 0 dBu (0.775 V), for 600 Ω Lines

Talkback Input, Actual Source Impedance 10 kΩ: -50 dBu (2.45 mV), for 50-600 Ω Mics
Maximum Input Level
For Mono Inputs, Actual Source Impedance 3 kΩ:
Mic Level @ -60 dB: -40 dBu (7.75 mV), for 50-600 Ω Mics
Mic Level @ -16 dB: 4 dBu (1.23 V), for 50-600 Ω Mics
Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines

Stereo Channel Input, Actual Source Impedance 10 kΩ:
Line Level @ -34 dB: -14 dBu (155 mV), for 600 Ω Lines
Line Level @ 10 dB: 30 dBu (24.5 V), for 600 Ω Lines

Mono Channel Inserts, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines

Stereo Channel Insert Input L,R, Actual Source Impedance 10 kΩ: 20 dBu (7.75 V), for 600 Ω Lines

Talkback Input, Actual Source Impedance 10 kΩ: -30 dBu (24.5 mV), for 50-600 Ω Mics
Outputs
1x XLR Stereo out (L,R)
6x XLR auxiliary sends
24x 1/4″ (6.35 mm) Channel insert outputs
1x 1/4″ (6.35 mm) Monitor out (L,R)
4x 1/4″ (6.35 mm) Group out
1x 1/8″ (3.5 mm) headphones out
1x 1/4″ (6.35 mm) Stereo insert (L,R)
2x 1/4″ (6.35 mm) Matrix outs
1x XLR Mono out
Nominal Output Level
Stereo Out (L,R): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
Mono Out: 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
Group Out (1 to 4): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Aux Send (1 to 6): 4 dBu (1.23 V) @ 75 Ω (for use with nominal 600 Ω lines)
Matrix Out (1,2): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Mono Channel Insert Out (1 to 16): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
Stereo Channel Insert Out (L,R): 0 dBu (0.775 V) @ 75 Ω (for use with nominal 10 kΩ lines)
Monitor Out (L,R): 4 dBu (1.23 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Phones Out: 3mW @ 150 Ω (for use with nominal 40 Ω phones)
Maximum Output Level
Stereo Out (L,R): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
Mono Out: 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
Group Out (1 to 4): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Aux Send (1 to 6): 24 dBu (12.3 V) @ 75 Ω (for use with nominal 600 Ω lines)
Matrix Out (1,2): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Mono Channel Insert Out (1 to 16): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
Stereo Channel Insert Out (L,R): 20 dBu (7.75 V) @ 75 Ω (for use with nominal 10 kΩ lines)
Monitor Out (L,R): 20 dBu (7.75 V) @ 150 Ω (for use with nominal 10 kΩ lines)
Phones Out: 75 mW @ 150 Ω (for use with nominal 40 Ω phones)
General
Total Harmonic Distortion
0.02% (20 Hz to 20 kHz, 14 dBu)
Frequency Response
20 Hz to 20 kHz, +0.5/-1.0 dB, refer to the nominal output level @ 1 kHz
Crosstalk
-74 dB @ 1 kHz
Power Supply
100 to 240 V, 50/60 Hz
Power Consumption
86 W, maximum
Dimensions
40.4 x 6.7 x 22.2″ (1027 x 169 x 565 mm)
Weight
41.9 lb (19 kg)
Packaging Info
Package Weight
58.6 lb
Box Dimensions (LxWxH)
45 x 27.2 x 10″

In The Box

  • Yamaha MGP32X 32-Channel Analog Mixing Console with DSP Effects

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