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Allen & Heath SQ-7 48-Channel / 36-Bus Digital Mixer with 32+1 Motorized Faders

Allen & Heath
Availability:

In stock


The Allen & Heath SQ‑7 is a high‑performance 48‑channel digital mixer with 96 kHz processing, motorised faders, USB recording, powerful FX, and expandable networking.

Key Features

  • 32 Microphone Preamps
  • 7″ Capacitive Touchscreen
  • 96 kHz FPGA Processing
  • Eight Stereo FX Engines with Returns
  • 32 x 32 USB Audio Interface
  • AES Output
  • 12 Mono/Stereo Mixes + 3 Stereo Matrix
  • Channel LCD Displays
  • 16 Assignable SoftKeys
  • SLink Port for Remote Audio & Expansion

 1,875,000

In stock

Allen & Heath SQ-7 Overview

The Allen & Heath SQ‑7 is a professional digital mixing console engineered for live sound, installations, corporate events, broadcast, houses of worship, and studio applications. As the flagship model in the SQ series, the SQ‑7 combines powerful 96 kHz XCVI FPGA processing, flexible routing, intuitive touchscreen control, and robust build quality for modern audio production and performance.

The Allen & Heath SQ-7 is a 48-channel, 36-bus digital mixing console well suited for live sound, corporate A/V, recording studios, and houses of worship. The SQ-7 features 32+1 motorized faders and 32 professional-quality microphone preamps. There are also eight stereo FX engines with dedicated return channels and access to the RackExtra FX library. The mixer’s 12 stereo outputs (configurable as groups or auxes) are well suited for in-ear-monitor setups, while the Automatic Mic Mixing function offers quick and easy operation over multiple microphones for conferences, panel talks, and more.

Allen & Heath SQ-7 Key Features

  • Compact digital mixer for live, studio, and installation
  • 48 input channels
  • 32 local mic inputs (XLR)
  • Two 1/4” stereo inputs (TRS)
  • One 1/8″ stereo input
  • 36 total busses
  • 12 stereo mixes (Aux or Group) + Main
  • PAFL bus
  • 18 assignable local outputs (16 XLR + two 1/4” TRS)
  • AES digital output
  • Dedicated talkback mic input (XLR)
  • 1/4″ TRS headphone out with dedicated control
  • SLink EtherCON connection for remote audio using dSnake, DX, or gigaACE protocol (64×64 channels)
  • I/O port for option card (including 3rd party protocols – Dante/Waves)
  • 8 mute groups
  • 8 DCA groups
  • 8 stereo FX with dedicated FX returns
  • DEEP processing ready
  • RackFX effects suite
  • 7″ color touchscreen
  • 16 assignable SoftKeys
  • Eight assignable soft rotaries
  • Dedicated physical controls for channel processing (Gain, HPF Frequency, Gate Threshold, Compressor Threshold, Pan, EQ Gain/Frequency/Width)
  • 32+1 faders with 6 layers for 192 assignable channel strips
  • Motorized faders for sends on faders, GEQ fader flip, and mix recall
  • 32 backlit LCD channel-strip displays
  • Chromatic channel metering
  • Integrated surface illumination
  • Single/dual footswitch control
  • Input channel linking for stereo sources
  • Patchable insert points
  • Input processing – Preamp, HPF, Gate, PEQ, Compressor, Delay
  • Mix processing – PEQ, Graphic EQ, Compressor, Delay
  • Fully integrated Automatic Mic Mixing (AMM)
  • 31-band, real-time analyzer (RTA)
  • Quick copy/paste/reset for parameters
  • User permissions to restrict operator access
  • 300 scene memories per show
  • Channel safes, global and per-scene recall filters
  • FX, processing, and channel libraries
  • SQ-Drive for stereo and multitrack recording/playback direct to USB drive
  • USB transfer of scenes, libraries, shows
  • 32×32 channel USB streaming to/from Mac/Windows
  • DAW control driver for MIDI control via USB or TCP/IP
  • Wireless remote mixing apps for iPad and Android
  • Compatible with ME personal-monitoring range

48 Input Channels & 36 Buses

With up to 48 inputs and 36 mix buses, the SQ‑7 gives you extensive routing and mixing flexibility for large productions and complex audio setups.

96 kHz XCVI FPGA Processing

At the heart of the SQ‑7 lies Allen & Heath’s advanced XCVI DSP engine, providing high‑resolution, ultra‑low latency (<0.7 ms) performance, superior audio fidelity, and headroom for detailed mixing and processing.

Why Choose SQ‑7?

  • Live Sound & Touring Powerful processing and rugged build for demanding environments.
  • Event & AV Applications Automatic mic mixers, ample I/O, and intuitive controls make setup fast and flexible.
  • Broadcast & Recording High‑resolution USB audio and direct USB recording support professional workflows.
  • Installations Expandable I/O and networking allow future growth.

Allen & Heath SQ-7 Specification

Weight 48.5 lbs
Dimensions 38.25 × 27.3 × 14 in
Brands

Key Specs
Max I/O Capacity
48x Input / 18x Output
Number of Analog Input Channels
48
Number of Mic Preamps
32
Number of Analog Output Channels
18
Faders & Level Adjustment
32x 3.9″ / 100 mm Motorized Fader
8 FX Knob
Built-In Effects
Reverb
Stereo Delay (Tap)
Reverb (Gated)
ADT
2x Chorus
Flanger
Phaser

Analog Inputs
1x XLR Talkback Input
32x XLR Balanced Mic/Line Input
4x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled)
1x 1/8″ / 3.5 mm Unbalanced Aux Input

Analog Outputs
16x XLR Output
2x 1/4″ Output
Digital I/O
1x RJ45 (Network)
1x XLR AES3 Output
1x etherCON (I/O)
USB I/O
1x USB-A (External Memory)
1x USB-B 2.0 (Audio Streaming)
Wireless
No
Rack Mountable
No
Mixer
Max I/O Capacity
48x Input / 18x Output
Number of Analog Input Channels
48
Number of Mic Preamps
32
Number of Analog Output Channels
18
Mix Routing
8x Stereo FX Return
Groups
8x Mute Group
8x DCA Group
Presets
8x Preset (User)
Display
7″ Touchscreen
Faders & Level Adjustment
32x 3.9″ / 100 mm Motorized Fader
8 FX Knob
Meters
Main Meter:
2x 12-Segment LED
Channel Meter:
Single LED
Signal Processing
Gain/Trim Range
Line:
±24 dB (Stereo Channels)
Line/Mic:
-5 dB to +60 dB (in 1 dB Steps)
Input Pad
-20 dB
Input Polarity
Normal/Reverse
EQ
FX Returns:
4-Band Parametric
EQ Parameters
1x HF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
2x MF Notch/Peak:
±15 dB at 20 Hz to 20 kHz
1x LF Shelf:
±15 dB at 20 Hz to 20 kHz (Shelf or Bell Selectable)
Graphic EQ
28-Band 1/3 Octave, ±12 dB 31 Hz to 16 kHz
Filters
High-Pass: 20 Hz to 2 kHz, 12 dB/Octave
Solo/Mute
Mute per Input Channel
Built-In Effects
Reverb
Stereo Delay (Tap)
Reverb (Gated)
ADT
2x Chorus
Flanger
Phaser
Audio Delay
Adjustable Up to 682 ms
Automatic Mic Mixing
Yes
Digital Audio
Sample Rates
96 kHz
AES3 Output:
44.1 / 48 / 88.2 / 96 kHz
Stereo Record:
96 kHz
Stereo Playback:
44.1 / 48 / 96 kHz
Multitrack Playback/Multitrack Record:
96 kHz
Bit Depth
Up to 96-Bit
Stereo Record:
24-Bit
Stereo Playback:
16 / 24-Bit
Multitrack Playback, Multitrack Record:
24-Bit
Performance
Frequency Response
20 Hz to 20 kHz +0/-0.5 dB
Max Input Level
Mic/Line Input:
+30 dBu
Aux Input:
+22 dBu (+4 dBu)
+18 dBu (0 dBu)
Analog Dynamic Range
112 dB
I/O Impedance
1/4″, XLR Output:
< 75 Ohms
AES3 Output:
110 Ohms
Aux Input:
> 7 Kilohms
Line/Mic Input:
> 5 Kilohms
Noise Floor
-90 dBu (with Inputs Muted)
THD+N
0.006% at Unity Gain
Mic/Line Input to AES3 Output:
0.002% at Unity Gain
0.003% at +30 dB Gain
Signal Generator
Sine, White, Pink, or Band-Pass Noise (Assignable to Any Mix)
Connectivity
Analog Inputs
1x XLR Talkback Input
32x XLR Balanced Mic/Line Input
4x 1/4″ TRS Balanced Aux Input (2 Stereo Pairs, Half-Normalled)
1x 1/8″ / 3.5 mm Unbalanced Aux Input
Analog Outputs
16x XLR Balanced Output
2x 1/4″ TRS Balanced Output
Phantom Power
+48 V
Digital I/O
1x RJ45 (Network)
1x XLR AES3 Output
1x etherCON (I/O)
MIDI I/O
No
USB I/O
1x USB-A (External Memory)
1x USB-B 2.0 (Audio Streaming)
Expansion Ports
1x I/O Card
Wireless
No
Recording
Max Multitrack Recording
16 Tracks
File Format Support
WAV
Compatibility
OS Compatibility
Windows / macOS
Power
Input Power
100 to 240 VAC, 50 / 60 Hz
Physical
Rack Mountable
No
Operating Conditions
32 to 104°F / 0 to 40°C
Dimensions
31.7 x 20.3 x 7.8″ / 805 x 516 x 198 mm
Weight
39.3 lb / 17.8 kg
Packaging Info
Package Weight
48.5 lb
Box Dimensions (LxWxH)
38.25 x 27.3 x 14″

In The Box

  • Allen & Heath SQ-7
  • Power Cable