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Universal Audio Sphere DLX Modeling Microphone

UNIVERSAL AUDIO
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The Universal Audio Sphere DLX Modeling Microphone combines a large-diaphragm condenser microphone with the Sphere 180 DLX plug-in to accurately model 38 of the most sought-after vintage microphones including Neumann, Telefunken, AKG, and more.

Key Features

  • General Studio Use, Vocals, Instruments
  • 38 Emulations of Classic Mics
  • Mono or Stereo with One Mic
  • Sphere 180 DLX Plug-In
  • Multiple Polar Patterns via Plug-In
  • Large-Diaphragm Condenser Mic
  • -10 and -20 dB Pads
  • Off-Axis Correction to Attenuate Bleed
  • Shockmount, Swivel Mount, Hard Case
  • AU/UAD/AAX/VST2/VST3, Mac/Windows

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Universal Audio Sphere DLX Modeling Microphone Overveiw

The Universal Audio Sphere DLX Modeling Microphone combines a large-diaphragm condenser microphone with the Sphere 180 DLX plug-in to accurately model 38 of the most sought-after vintage microphones including Neumann, Telefunken, AKG, and more. The mic can be configured to operate either in mono or in stereo. Auditioning and switching between mics during a session can be tedious, but thanks to the plug-in, you can change mic type, polar pattern, reduce bleed, room coloration, and even adjust the proximity effect—either during or after tracking vocals, acoustic and electric guitars, stringed and wind instruments, percussion, room sound, and more.

Grab the Keys to the Ultimate Mic Locker

  • The Sphere plug-in gives you access to 38 of the most prized ribbon, condenser, and dynamic microphones ever made.
  • Get the sound of a classic 47 (with VF14 tube), 67, M49, C12, and 800 to name a few.

Sphere 180 DLX Mic Modeling Plug-In Optimized for the Apollo

  • The Sphere 180 DLX plug-in (free download available separately) allows the user to change the mic type and polar pattern even after tracking.
  • Pairing the software with the Apollo audio interface greatly simplifies the process of matching the two mic-preamps required for the plug-in to work.
  • Adjustable Proximity Effect: eliminates the need to move a microphone solely because of too little or too much bass due to proximity effect—great for punching in a vocal where distance from the mic varies from take to take.
  • Off-Axis Correction: create more accurate polar patterns to reduce bleed, room coloration, and susceptibility to feedback before or after tracking.
  • Sphere supports a wide range of plug-in formats, including UAD, AAX DSP, AAX Native, VST2, VST3, and Audio Units on Mac and Windows.

Record in Stereo with One Mic

  • Thanks to its dual-capsule design, the Sphere DLX lets you easily record piano, drums, strings, and more in stereo.
  • You can even use different mic models on the left and right channels for a more colorful stereo image.
  • Plus, you can blend the sound of two mono Sphere DLX mics using Dual Mode, and get classic-sounding mic recipes on snare drums and guitar cabs.

Polar-Pattern Modeling

The Polar control lets you adjust the pickup pattern of the mic model, with the additional advantage of being able to select intermediate polar patterns that the original mic did not have. For microphones with a single pattern, the pattern control is fixed to that pattern.

Available patterns:

  • Omni, Sub-Omni
  • Wide-Cardioid, Subcardioid, Cardioid
  • Supercardioid, Hypercardioid
  • Sub-8, Figure-8

Universal Audio Sphere DLX Specs

Weight 8.74 lbs
Dimensions 15.4 × 13.4 × 7.1 in
Brands

Key Specs

Form Factor Large Diaphragm Mic / Stand/Boom Mount
Polar Pattern Cardioid, Figure-8, Hypercardioid, Omnidirectional, Subcardioid/Wide Cardioid
Frequency Range 20 Hz to 20 kHz
Maximum SPL 140 dB SPL (1% THD, with Pad)
Power Sources Phantom Power

Microphone

Form Factor Large Diaphragm Mic / Stand/Boom Mount
Intended Sound Sources Vocals, Acoustic Guitar, Electric Guitar, Electric Bass, Double Bass, Piano, Drums, Percussion, Overhead, Horns, Brass, Trumpet, Trombone, Woodwinds, Saxophone, Strings, Violin, Cello, Choir, Room Ambiance
Sound Field Mono, Stereo
Element Type 2 x Condenser
Polar Pattern Cardioid, Figure-8, Hypercardioid, Omnidirectional, Subcardioid/Wide Cardioid
Pattern Selection Continuously Variable
Orientation Side Address
Circuitry Solid-State

Performance

Frequency Range 20 Hz to 20 kHz
Maximum SPL 140 dB SPL (1% THD, with Pad)
Sensitivity -33 dB at 1 kHz
Dynamic Range 133 dB

Power

Power Sources Phantom Power
Operating Current Consumption 5 mA

Physical

Mounting Thread Size 5/8″-27 Female
Included Filters No

Packaging Info

Package Weight 8.74 lb
Box Dimensions (LxWxH) 15.4 x 13.4 x 7.1″

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